elled at animated features.But the monsters the monsters belonged to Universal.April 30th marks the 100th anniversary of Universal Pictures, founded by dry goods merchant Carl Laemmle who believed that were the wave of the future. Over the years, the studio produced films of every variety, from Schindler List to Animal House to Francis the Talking Mule, and added eight Best Picture Oscars to its trophy case in the process. Time and again, however, it returned to cinema darkest corners, and in the process created a truly impressive array of horror classics. In honor of the anniversary, we thought we take a brief look at Universal proud history in the genre, and the influence their movies continue to exert.The BeginningsFrom the earliest days, Universal had a knack for monster movies. The company officially incorporated in 1925, the same year they released Lon Chaney The Phantom of the Opera. Two years earlier, Chaney Hunchback of Notre Dame became the studio highest grossing film ever. With the star as their ,monster headphones beats by dre outlet, engine, they plunged forward enthusiastically with a full bevvy of horror films. Subsequent silent works included The Cat and the Canary, The Cat Creeps, and The Man Who Laughs: a film that Batman co-creator Bob Kane cited as a major influence on the development of the Joker.The Classic EraChaney died in 1930, but the blow didn slow down the trend he helped create. Indeed, with the advent of sound came ,beats by dr dre, a legacy that may stand unequalled in the annals of the genre. German Expressionism fueled the movement, as did anxieties about the Depression and the rise of fascism across the globe. Horror movies, ,beats cheap, particularly those from Universal, gave audiences a safe catharsis for those fears. Bela Lugosi Dracula and Boris Karloff Frankenstein appeared in 1931, projects that Chaney would have ,by dr dre cheap, likely headlined had he lived. Their immense success launched two decades worth of classic monster pictures, including The Mummy, The Invisible Man, The Wolf Man, The Bride of Frankenstein, The Raven, The Old Dark House, The dr dre monster Black Cat, Werewolf of London and a seemingly endless array of sequels and spin-offs.The trappings of these movies quickly become horror clich spooky castles, gypsy curses and hunchbacked assistants and now serve as the basis for every elementary school Halloween decoration in the country. Lugosi and Karloff remain the definitive version of their respective characters, as do The Invisible Man Claude Rains, The Wolf Man Lon Chaney, Jr. and The Bride of Frankenstein Elsa Lanchester. Even as the trend faded in the late 1940s, Universal continued milking it most notably with the last of their monster movies, The Creature from the Black Lagoon in 1954, but also in satires and parodies like Abbot and Costello Meet Frankenstein.The 1950s and 1960sThe 50s saw a fundamental shift in the genre, as Gothic houses and romanticized undead gave way to the terrors of the atomic age. Universal struggled to keep up with changing tastes, while ownership of the studio changed hands and various corporate owners began sticking their fingers in the pie. Though they produced a pair of minor classics in It Came from Outer Space and The Incredible Shrinking Man, the bulk of Universal horror output in this era suffered a severe dip in quality. Monster movies ultimately took a back seat to westerns like Winchester and melodramas like Written on the Wind. For a time, it looked as if Universal would all but abandon the genre that put it on the map.This trend continued in the 1960s, when MCA purchased the company and began heavily focusing on television. Low-budget shockers like The Leech Woman became the order of the day, as did Hammer film imports like The Evil of Frankenstein which Universal merely distributed. The few bright spots appeared courtesy of Alfred Hitchcock, who had enjoyed a fruitful relationship with the studio ,beats by dre outlet, for many years and who produced his Alfred Hitchcock Presents TV show on the Universal lot. Though initially a Paraelled at animated features.But the monsters the monsters belonged to Universal.April 30th marks the 100th anniversary of Universal Pictures, founded by dry goods merchant Carl Laemmle who believed that were the wave of the future. Over the years, the studio produced films of every variety, from Schindler List to Animal House to Francis the Talking Mule, and added eight Best Picture Oscars to its trophy case in the process. Time and again, however, it returned to cinema darkest corners, and in the process created a truly impressive array of horror classics. In honor of the anniversary, we thought we take a brief look at Universal proud history in the genre, and the influence their movies continue to exert.The BeginningsFrom the earliest days, Universal had a knack for monster movies. The company officially incorporated in 1925, the same year they released Lon Chaney The Phantom of the Opera. Two years earlier, Chaney Hunchback of Notre Dame became the studio highest grossing film ever. With the star as their ,monster headphones beats by dre outlet, engine, they plunged forward enthusiastically with a full bevvy of horror films. Subsequent silent works included The Cat and the Canary, The Cat Creeps, and The Man Who Laughs: a film that Batman co-creator Bob Kane cited as a major influence on the development of the Joker.The Classic EraChaney died in 1930, but the blow didn slow down the trend he helped create. Indeed, with the advent of sound came ,beats by dr dre, a legacy that may stand unequalled in the annals of the genre. German Expressionism fueled the movement, as did anxieties about the Depression and the rise of fascism across the globe. Horror movies, ,beats cheap, particularly those from Universal, gave audiences a safe catharsis for those fears. Bela Lugosi Dracula and Boris Karloff Frankenstein appeared in 1931, projects that Chaney would have ,by dr dre cheap, likely headlined had he lived. Their immense success launched two decades worth of classic monster pictures, including The Mummy, The Invisible Man, The Wolf Man, The Bride of Frankenstein, The Raven, The Old Dark House, The Black Cat, Werewolf of London and a seemingly endless array of sequels and spin-offs.The trappings of these movies quickly become horror clich spooky castles, gypsy curses and hunchbacked assistants and now serve as the basis for every elementary school Halloween decoration in the country. Lugosi and Karloff remain the definitive version of their respective characters, as do The Invisible Man Claude Rains, The Wolf Man Lon Chaney, Jr. and The Bride of Frankenstein Elsa Lanchester. Even as the trend faded in the late 1940s, Universal continued milking it most notably with the last of their monster movies, The Creature from the Black Lagoon in 1954, but also in satires and parodies like Abbot and Costello Meet Frankenstein.The 1950s and 1960sThe 50s saw a fundamental shift in the genre, as Gothic houses and romanticized undead gave way to the terrors of the atomic age. Universal struggled to keep up with changing tastes, while ownership of the studio changed hands and various corporate owners began sticking their fingers in the pie. Though they produced a pair of minor classics in It Came from Outer Space and The Incredible Shrinking Man, the bulk of Universal horror output in this era suffered a severe dip in quality. Monster movies ultimately took a back seat to westerns like Winchester and melodramas like Written on the Wind. For a time, it looked as if Universal would all but abandon the genre that put it on the map.This trend continued in the 1960s, when MCA purchased the company and began heavily focusing on television. Low-budget shockers like The Leech Woman became the order of the day, as did Hammer film imports like The Evil of Frankenstein which Universal merely distributed. The few bright spots appeared courtesy of Alfred Hitchcock, who had enjoyed a fruitful relationship with the studio ,beats by dre outlet, for many years and who produced his Alfred Hitchcock Presents TV show on the Universal lot. Though initially a Paraelled at animated features.But the monsters the monsters belonged to Universal.April 30th marks the 100th anniversary of Universal Pictures, founded by dry goods merchant Carl Laemmle who believed that were the wave of the future. Over the years, the studio produced films of every variety, from Schindler List to Animal House to Francis the Talking Mule, and added eight Best Picture Oscars to its trophy case in the process. Time and again, however, it returned to cinema darkest corners, and in the process created a truly impressive array of horror classics. In honor of the anniversary, we thought we take a brief look at Universal proud history in the genre, and the influence their movies continue to exert.The BeginningsFrom the earliest days, Universal had a knack for monster movies. The company officially incorporated in 1925, the same year they released Lon Chaney The Phantom of the Opera. Two years earlier, Chaney Hunchback of Notre Dame became the http://monstersbeatsdrdre2013.webs.com studio highest grossing film ever. With the star as their ,monster headphones beats by dre outlet, engine, they plunged forward enthusiastically with a full bevvy of horror films. Subsequent silent works included The Cat and the Canary, The Cat Creeps, and The Man Who Laughs: a film that Batman co-creator Bob Kane cited as a major influence on the development of the Joker.The Classic EraChaney died in 1930, but the blow didn slow down the trend he helped create. Indeed, with the advent of sound came ,beats by dr dre, a legacy that may stand unequalled in the annals of the genre. German Expressionism fueled the movement, as did anxieties about the Depression and the rise of fascism across the globe. Horror movies, ,beats cheap, particularly those from Universal, gave audiences a safe catharsis for those fears. Bela Lugosi Dracula and Boris Karloff Frankenstein appeared in 1931, projects that Chaney would have ,by dr dre cheap, likely headlined had he lived. Their immense success launched two decades worth of classic monster pictures, including The Mummy, The Invisible Man, The Wolf Man, The Bride of Frankenstein, The Raven, The Old Dark House, The Black Cat, http://beatsbydrdreonline2013.webs.com Werewolf of London and a seemingly endless array of sequels and spin-offs.The trappings of these movies quickly become horror clich http://monstersbeatdrdrevip.webs.com spooky castles, gypsy curses and hunchbacked assistants and now serve as the basis for every elementary school Halloween decoration in the country. Lugosi and Karloff remain the definitive version of their respective characters, as do The Invisible Man Claude Rains, The Wolf Man Lon Chaney, Jr. and The Bride of Frankenstein Elsa Lanchester. Even as the trend faded in the late 1940s, Universal continued milking it most notably with the last of their monster movies, The Creature from the Black Lagoon in 1954, but also in satires and parodies like Abbot and Costello Meet Frankenstein.The 1950s and 1960sThe 50s saw a fundamental shift in http://monstersbeatbydrdre.webs.com the genre, as Gothic houses and romanticized undead gave way to the terrors of the atomic age. Universal struggled to keep up with changing tastes, while ownership of the studio changed hands and various corporate owners began sticking their fingers in the pie. Though they produced a pair of minor classics in It Came from Outer Space and The Incredible Shrinking Man, the bulk of Universal horror output in this era suffered a severe dip in quality. http://beatsbydrdrehotsale2013.webs.com Monster movies ultimately took a back seat to westerns like Winchester and melodramas like Written on the Wind. For a time, it looked as if Universal would all but abandon the genre that put it on the map.This trend continued in the 1960s, when MCA purchased the company and began heavily focusing on television. Low-budget shockers like The Leech Woman became the order of the day, as did Hammer film imports like The Evil of Frankenstein which Universal merely distributed. The few bright spots appeared courtesy of Alfred Hitchcock, who had enjoyed a fruitful relationship with the studio ,beats by dre outlet, for many years and who produced his Alfred Hitchcock Presents TV show on the Universal lot. Though initially a Para

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